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Cover series: #17 Dimitra Kondylatou

Andreas Siekmann: Pawns, Trustees, and the Invisible Hand

curated by Marina Fokidis
Admission: Free
Guided tour: 30.06.2022, 18:30
03.05.2022-22.05.2022
30.06.2022

Monday-Thursday: 9:00-20:00,
Friday: 9:00-16:00

Add to calendar 2022:06:30 18:30:00 2022:05:22 23:00:00 Europe/Athens Andreas Siekmann: Pawns, Trustees, and the Invisible Hand Andreas Siekmann: Pawns, Trustees, and the Invisible Hand - More informations on /events/event/3623-andreas-siekmann-pawns-trustees-and-the-invisible-hand Goethe-Institut Athen Marina Fokidis

Thursday 30 June 2022, 18:30

Guided tour of the exhibition by the curator Marina Fokidis

The guided tour marks the closing of the successful exhibition at Goethe-Institut Athen, that opened to the public on May 3, 2022, in the framework of the New Old Properties symposium.

Exhibition ANDREAS SIEKMANN: PAWNS, TRUSTEES, AND THE INVISIBLE HAND
Pages towards a history of the Treuhandanstalt

Exhibition opening in the presence of the artist
In his much-admired work Faustpfand, Treuhand und die unsichtbare Hand (Pawns, Trustees and the Invisible Hand), Berlin-based artist Andreas Siekmann focuses on the market mechanisms and political processes that underpinned East Germany’s economic restructuring after German reunification. The work offers an unusual new angle on the debate about public ownership. Drawing on the aesthetics of 1920s political constructivism, Siekmann’s series of twenty prints describe the process by which the GDR’s Publicly Owned Enterprises (VEB) were transformed into privately owned companies in reunified Germany. The so-called Treuhandanstalt, or trust agency, was set up to coordinate this massive process of privatisation – a total of 13,500 East German enterprises were privatised or liquidated within the space of three and a half years. The transformation of the VEBs into limited companies was essentially seen as a form of pledge – a pawn – a condition that would allow the invisible hand of the market economy to perform a new economic miracle. Adapted for the Goethe-Institut Athen and rendered into Greek, Siekmann’s acclaimed work from 2005 uses artistic means to reveal political decision-making processes and economic power structures, while exposing the real questions at stake. Not only does the work examine a key element of recent German history, it also opens up the discussion surrounding public ownership, looking at it from a perspective that resonates strongly in today’s Greece as well.
Curator: Marina Fokidis
Exhibition Design: Eleni Spyridaki

The event is part of the New Old Properties Symposium.

Andreas Siekmann’s work focuses on issues relating to the economisation of public space. He works with various media, including drawing, painting, film, objects and carrying out interventions in public space. His work has been featured at the 50th Venice Biennale (2003), documenta 11 (2002), documenta 12 (2007), and the International Biennial of Contemporary Art of South America (2017). He has been involved in numerous solo and group exhibitions, including The Potosí Principle (2010/11, Museo Reina Sofia, Madrid & Museo Nacional de Arte, La Paz), Heads (2021, Galerie Barbara Weiss, Berlin), and Potosí Principle – Archive(2021, Haus der Kulturen der Welt, Berlin). Andreas Siekmann lives and works in Berlin.

THE EVENT FORMS PART OF THE “70 YEARS OF THE GOETHE-INSTITUT ATHEN” PROGRAMME

Andreas Siekmann: Pawns, Trustees, and the Invisible Hand
Andreas Siekmann: Pawns, Trustees, and the Invisible Hand
Andreas Siekmann: Pawns, Trustees, and the Invisible Hand